During World War II a German Colonel is captured by the Americans but before he can be interrogated an artillery barrage hits the camp. However, Ex-Lieutenant Kelly manages to reach the Colonel, get him drunk and learn that he is on a secret mission to ship $16,000,000 of gold to a base in France. Kelly is determined to get the gold and plans for himself and a few of his fellow soldiers to slip into enemy territory and steal the bullion.

Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn.

A host of contradictions--the insufficiency of her collaborators, the spectacular potential of her voice, the inconsistency of her efforts--have left Joplin's historical legacy a tangled mess. The new 3 CD box set, Janis, captures that mess in all its glory but does little to untangle it. Typical of compiler Bob Irwin's decisions was his choice to replace the familiar version of George Gershwin's "Summertime" from the "Cheap Thrills" album by a weaker but unreleased alternate take. There are too many examples of strangled singing by Joplin's male partners in Big Brother and not enough examples of her incendiary live performances. The album begins with Joplin's first-ever recording, a vocal-and-autoharp version of "What Good Can Drinkin' Do" taped in a friend's living room in Austin in '62. That's followed by two unreleased blues recorded with guitarist Jorma Kaukonen in a San Francisco living room in '65 and eight songs from the controversial (and hard-to-find) 1966 debut album, "Big Brother & the Holding Company." "Cheap Thrills" is represented by five cuts, four outtakes and one live version; "I Got Dem Ol' Kozmic Blues Again Mama!" is represented by seven cuts, one outtake and two live versions; and "Pearl" by eight cuts and three outtakes. Other rarities include a longer spoken introduction to "Mercedes Benz" and two live performances on "The Ed Sullivan Show." The 48-page booklet features nude photos of Joplin on the outside and feminist essays about her on the inside. Ellen Willis compares Joplin's self-created image to Madonna's, ignoring the crucial fact that Joplin was a brilliant singer while Madonna is hardly any kind of singer at all. Ann Powers addresses the music itself and correctly points out that Joplin's art was not merely unmediated emotion but a premeditated mix of gambles and craft, of Bessie Smith's open-throated wails and Otis Redding's gruff shouts. She was some kind of singer, and that's what she should be remembered for. --Geoffrey Himes

In the pantheon of classic live albums, Joe Cocker's 'Mad Dogs and Englishmen' is near the top, alongside 'Woodstock' and 'The Last Waltz' in defining the spirit of a generation. Now, the album -- originally issued in 1970 -- is heard with previously unreleased tracks and studio cuts. The 35th Anniversary Deluxe Edition reveals in full for the first time, the repertoire of the craziest, loudest, longest rock 'n' roll circus to have ever hit America, featuring guests such as Leon Russell, Rita Coolidge, Claudia Lennear, and Don Preston.