A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he s screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one colleague he likes, a woman with a bright smile, is severely wounded. Can Bob help her through despair and find himself and joy in life? Or, as everyone says, is this impossible for a man like him?

Saigon, 1952, a beautiful, exotic, and mysterious city caught in the grips of the Vietnamese war of liberation from the French colonial powers. New arrival Alden Pyle, an idealistic American aid worker, befriends London Times correspondent Thomas Fowler. When Fowler introduces Pyle to his beautiful young Vietnamese mistress Phuong the three become swept up in a tempestuous love triangle that leads to a series of startling revelations and finally - murder. Nothing, and no one, is as it seems, in this adaptation of Graham Greene s classic and prophetic story of love, betrayal, murder and the origin of the American war in Vietnam.

The story of a man who murdered thirty-two people, gained power, and then got afraid because too many people wanted to kill him. One August morning, he disappeared. For fifteen years, everyone believed him dead. Instead, he was living in a little hotel near Frankfurt, with a wife and a young German son. Then, when the trains filled with waste departed from Naples, the past climbed on board. This is the story of a man who, while trying to kill a chestnut tree with a copper nail, was grabbed from behind by his past. And was forced to settle the score.

This is an English language film (made in America) adapted from a novel by German author Erich Maria Remarque. The film follows a group of German schoolboys, talked into enlisting at the beginning of World War 1 by their jingoistic teacher. The story is told entirely through the experiences of the young German recruits and highlights the tragedy of war through the eyes of individuals. As the boys witness death and mutilation all around them, any preconceptions about "the enemy" and the "rights and wrongs" of the conflict disappear, leaving them angry and bewildered. This is highlighted in the scene where Paul mortally wounds a French soldier and then weeps bitterly as he fights to save his life while trapped in a shell crater with the body. The film is not about heroism but about drudgery and futility and the gulf between the concept of war and the actuality.